Instead, it was an interview with Gunther Von Hagens, the force behind the creepy, fascinating, and provocative "Body Worlds" exhibits. The article is subtitled, "On morbid art, controversial science and facing his own mortality." I am a scientist, a speculative fiction writer, and a patron of romantigoth. My mind is trying to reconcile the meanings and implications of Body Worlds, the process of "plastination," and the person of Gunther Von Hagens all at once, and the cognitive dissonance is going to make my head es-plode. (See photo, zombie person, mouth wide.) I'll try to hit this one step at a time. Today, Part I - Exhibitionists ...
It's October; the month for us horror buffs to reach forth and express ourselves to our personal utmost. For me, that includes holding a haunted dinner party, checking out bizarre art on deviantArt, and allowing my interests to roam places that normally squick me. Like Body Worlds. My interest in horror tends to romantigoth, as I've mentioned. Goth is not about death, as much an outsider might think it is. Goth is an aesthetic. Romantigoth in particular is filled with shadows, mystery, longing, and a deeply emotional sensibility. The icons might be spiders, skulls, blood, fangs, and black lace, but the goal is the creation of an atmosphere that matches the emotion.
Anecdotes suggest that some people do leave the exhibits, after seeing diseased lungs and livers, and give up smoking and drinking for the rest of their lives. I also have no doubt people know a lot more anatomy after they leave, as well. But I cannot get over the fact that these are real dead people, not mock-ups or models. I can't even handle a visit to the mummy exhibit in the Louvre. I can't even look at the mummies of cats in the Louvre. First of all, it makes me sad. Dead is dead, after all. Second, it seems so 'not right' that we have taken bodies from burial sites without their permission and turned them into exhibits.
This exhibit, as well as the mummies in the Louvre, say, are hardly the first time human remains have been displayed (even used as art) and promoted for general viewing. For example there is the "Our Lady of the Conception of the Capuchins" cathedral in Rome. A few lines from Wikipedia - "The church is most famous as an ossuary, known as the Capuchin Crypt, in which is displayed the bones of over 4,000 Capuchin friars. The bones are fashioned into decorative displays in the Baroque and Rococo style. The popularity of the crypt as a tourist attraction once rivalled the Catacombs." I don't think education about skeletal structure was the point, here. We humans want to find a means to go on forever, and whether it is our agreeing to be mummified, or others using our remains to create art and educational exhibits, I think a large part of it stems from that desire for eternity.
Now, the people whose remains are exhibited in Body Worlds did indeed leave permission, so that part at least is fine with me. Strange, but as a scientist, I understand that people would want this; would want their remains to go on teaching after they have no more use for them. In the past, such bodies might have been used for dissection, or have individual organs removed for examination, etc. Until recently, the idea of leaving your entire body behind, infused with plastic forever, was not an option. According to the site, there are about 11,000 donors for "plastination" currently on record, about 1000 already dead and another 10,000 who are still living. I think it is unlikely that all of these people have education of future generations as their major goal. Instead, I think for many this is another attempt by the human mind to achieve a form of immortality.
Image Credits: Zombie, on Flikr via Creative Commons, CC 2.0, Plastic Person, Available free download for students at the Body World site. Zombie kiteh by Icanhazcheezburger.com
