Writer Interview - A.L. Kaplan

Today I'm pleased to bring you a writer interview with speculative novelist and poet A.L. Kaplan! A. L. Kaplan’s love of books started as a child and sparked a creative imagination. Born on a cold winter morning in scenic northern New Jersey, her stories and poems have been included in several anthologies and magazines. Her novel, Star-touched, was released October 1, 2017. She is the Maryland Writers’ Association’s Chapter/Board liaison and served on the Howard County Chapter board for several years. A. L. is a member of Broad Universe and holds an MFA in sculpture from the Maryland Institute College of Art. When not writing or indulging in her fascination with wolves, A.L. is the props manager for a local theatre. This proud mother of two lives in Maryland with her husband and dog.

1. You have only three minutes to convince a stranger to read your latest work. What do you tell them about your writing, and about yourself, to get them interested?

Eighteen-year old Tatiana is running from her past and her Star-touched powers eight years after a meteor devastates earth’s population. Gifted with the ability to both heal and destroy, Tatiana seeks refuge in a town she once visited. But this civil haven, in a world where society has broken down, is beginning to crumble.

I had no idea that we’d have so many natural disasters or that huge asteroids would be flying so close to earth this year when I wrote Star Touched. It’s rather frightening how many similarities there are to what’s going on now both environmentally and politically.

2.  Your spaceship can travel to any world, real or imagined. Where do you go?

I’d love to travel inside my mind and find out what’s going on in there.

3.  What was your favorite book you that read as a child? What have you read recently that you can recommend?
I grew up reading James Herriot, Jack London, Laura Ingalls Wilder, Albert Payson Turhune, and of course J. R. R. Tolkien. Lord of the Rings may have birthed my love of fantasy, but there are three other books I read that were a huge influence: Island of the Blue Dolphins, My Side of the Mountain, and Julie of the Wolves. I guess I have a thing for kids surviving on their own in the wild. My favorite musicals are about orphans as well: Annie and Oliver.

There have been several books I’ve read recently that have been really good. The House on Moss Swamp Road by M J Patrick comes to mind, as does The Fuller’s Apprentice, by Angela Holder, The Enchanted Dagger by Vonnie Winslow Crist, and Dawn Study by Maria V. Snyder. I don’t often read non-fiction, but The Strong Woman Trap: A Feminist Guide for Getting Your Life Back by Sasha Mobley was very enlightening. I could go on, but there is only so much space in your blog.

4.  How do you meet and stay engaged with other writers?
I’m very active in the Maryland Writers’ Association at the state and chapter level. I’m also in a critique group and am a member of Broad Universe. I’ve made some great friends at conventions like the MWA Writing Conference and fan-based cons like Balticon. This year I’ve been invited as a participant at Raven Con in Williamsburg on April 20 – 22, and Balticon in Baltimore, Maryland on Memorial Day weekend. I’m really looking forward to them. Book festival are a great way to meet people as well, and Facebook makes it easy to stay in touch and find out what other writers are up to.

5.  What is a quote that resonates with you - either from yourself or someone else?

“Be who you are.” It’s an important theme in Star Touched. My main character, Tatiana, is afraid to be who she really is. It’s one of the quotes I sign in my books. It’s also on my license plate. (A birthday present from my husband this year.)

6.  Do you have a personal symbol or icon with which you identify?

I don’t know about an icon or symbol, but I do feel a connection to wolves. When I was in high school I had a dream about wolves. The next day I went to the library and started reading. The more I learned, the more I liked. My collection now includes books, art, toys, and a few odd things like a howling cookie jar. Wolves have also inspired several stories, including my short story, Wolf Dawn, which is in the Young Adventurers: Heroes, Explorers, and Swashbucklers anthology.

7.  How do you find good new reads in your genres of choice?

There are several places to find new books. Friends recommendations, perusing the stacks in a bookstore or library, Goodreads, and of course, talking to authors. There’s a lot out there. I also look for those free book days. If I like that first one I’ll by others by the same author.

8.  What is one thing that really scares you?

That would be tornados. I’ve never seen one, but they really freak me out.

9.  Which conferences/book fairs/meetings do you try to never miss each year?

Balticon has always been my go to.

10.  You have a magic wand that can cast only one kind of spell. What does your wand do?

My wand has the ability to cast unlimited heal spells that can also cure illnesses like cancer, AIDS, and depression.

11.  Where can fans find you and your work online?

https://Alkaplanauthor.com

https://www.facebook.com/AuthorA.L.Kaplan/

@ALKaplanauthor on Twitter

Image Credits:  All images provided by author and used w permission.

Demystifying The Business Side of Writing and Publishing - AWP Panel

I had a wonderful time at the annual AWP conference and book fair - this year in Washington, D.C.  It was my first AWP conference, so I wasn't sure what to expect.  I went to some insightful panels and spent a good chunk of time in the book fair learning about new publications, programs, and yes, I certainly did buy some books.  I attended a reception hosted by a consortium of journals, and just generally had too much wine ...

So here is the first in a series of posts where I talk about some of the neat stuff that happened at the conference.  Now, as you know from my previous post on Panels at Cons I am not a big fan of panels in general.  However, most of the panels I attended at AWP were well moderated, and were able to keep my interest for at least half the scheduled time, if not more.  That's pretty good from my point of view.  (Still, check out the previous post, since I'd love to be able to do something other than listen to another panel.)

The first panel I attended, bright and early on Thursday morning, was the panel "Demystifying the Business Side of Writing and Publishing."  The panel members as listed in the guide are: Whitney Davis, Tarfia Faizullah, Paula Munier, Joshua Shenk, and Andrew McFadyen-Ketchum.  Although when I came in they were mentioning something about the panelists, and so there might have been a swap of some kind.  The room was completely packed, with people standing along the walls and three deep in the back.   I was completely blocked and could not see the panel table.  It was great to be in a well attended and high energy session, but it also would have been nice to be able to see who was speaking ...

I've attended a lot of panels and workshops with this subject, so I didn't expect too much info I had not heard already.  However, repetition of some good ideas never hurts.  Here is my distillation of some of the main ideas that were presented.

Demystifying the Business Side of Writing and Publishing

Submitting to Book Contests and Publications:

• Read.  Especially those books that have won the contest in question or that have been published where you'd like to be published.
• Best first.  Front load your best stories and poems in your submission.  This is more important than having an emotional 'arc' for example.  
  
• Vision.  The writer has to have a clear sense of what their aesthetic vision is for the work - so be able to summarize your work in a distinct way.  What is the lineage?  Who or what is this work like?  And then what makes it unique/different?
• Take your time.  Applications are conversations, don't just dash them off.  Imagine you are speaking through your application/submission - create a good impression of yourself and your book.
• No mistakes.  No typos, no weak stories or poems.  Don't give judges or editors any reason to object to your work.
• Be strategic.  Do not send the work to everyone under the sun, instead target those that appear to be the best match.  Some people say "send everywhere" but that is not a good use of anyone's time and energy.

Networking:

• "Network like hell." 
• Remember that you are your brand. 
• Put your picture on your business card so that people can put a face to a name.  
• If you are working in a solitary environment, then write emails and make calls.  Stay as connected as possible.  You are a colleague to other writers even if you don't see them in person every day.
• Don't be afraid to ask for help.  Look for people who will be generous.
• Put a limit on requests for time so people know what they are committing to - like "I want just 30 minutes over coffee" or "I need a quick 10 minutes for a phone call about X."

 Rejection and Tough Times:

• Embrace rejection.  Track rejections and see them as stepping stones to eventual acceptance. 
• Those who have success have a high capacity for humiliation.  
• Learn to live with your internal critic.  Learn when to listen and when to ignore that voice.
• "Remember the writers on Facebook all look successful and are all at home crying."  
• Be honest, don't try to portray yourself as a perfect human being.
• Don't be "precious" with your work, you can't be insulted when people ask for changes.

General Career Advice:

• Read copiously, read for your career. 
• Write about what you are passionate about.  
• Read the acknowledgements in books you love.  Who edited it, who represented it, who helped?  Learn where the writers you admire fit in.
• Look around and see what hasn't been done lately, think out of the box whenever possible.  
• Find a good editor.
• Look for awards, fellowships and residencies.     And don't miss your local resources for publishing and other opportunities - town, city, county, state ...
• Think strategically about your day job.  Be in environments that are creative and meaningful to you. "Adjuncting is atrocious, awful, and should be illegal."
• Keep learning and keep growing.  

NaNoWriMo - Hitting the Top Early

My eighth year of NaNo!

I posted about how I got a late start with NaNoWriMo again this year, but that I figured I could still pull it out because I usually get a few hot writing streaks during the month.  Well, I can't believe it, but I hit 50K words on November 16.  And that is considering that I only wrote for 12 of those 16 days.  This comes out to (what for me) is a blistering 4430 average words per day, on those days I was writing.  I'm pretty astonished.  This is the fastest I've ever reached the 50K NaNo goal.

So if you are a NaNo-newbie, maybe you are wondering how I did it ... and if you can, too.  First of all, I'm sure that you can do it!  What I'm not so sure about is if what works for me will work for anybody else.  But on the off chance that it might ... here are a few thoughts on how I'm cranking away this year.

1) Writing in all the spare moments.  I usually like to write when I can sit down and really focus, but that's not always an option.  I find this year I've been doing a lot of writing in 100 to 200 word bits and pieces.  A few lines of dialog here, or a brief description of a scene there.  I keep my computer open and ready to go, and whenever I have to wait around, I write - waiting for laundry means words, waiting for an email from a colleague means words, waiting four minutes for my tea to steep means words.  It is really adding up.

Wow - 50K on day sixteen.
I wonder if this graph is just going to flatten out
now, or if I'll keep on writing at this pace.

2) Having so much fun with the book.  This year, I picked back up on a piece of writing from the past that I really enjoyed.  It needed a lot of work, but I liked the way the first part of it came out, and wanted to finish it.  This is a book I'd want to read, myself.  It has vampires, zombies, battles, true love, and, well, it's not Princess Bride but you can't have everything.  So I say, when it comes to NaNo, don't settle for an idea you feel ho-hum about.  Pick something that you are really emotionally invested in.  That emotion will carry you through the dry times, and keep you going. 

3) Defining the characters.  When I do get times to focus and just write for a while, the words have been flowing out of my fingers fast.  Part of this is because I did a pretty good job of defining the characters in the first chapters.  Now all I have to do is put them in situations and write down what they say and do.  It is a total adventure for me.  Even though I know the ending of the book already, I'm not exactly sure how the characters will get there, or even exactly who will be alive at the end.  So it's all pretty exciting.  The characters are leading it all, and taking me along for the ride.  And they talk a lot (and spend time running from zombies, and fighting with a vampire war-lord, and on and on ...) - that's a lot of words.

4) Recognizing that writing is good for me.  I've been very distracted by the world these past weeks.  For some people, the reaction is to freeze up and not be able to write anything.  For me, I noticed that I felt better after writing, even if it was a very tough writing session.  So I pushed myself to write even (especially) when the world was pressing in.  My last post was to keep on writing, and I feel it is keenly important, now more than ever, that we do indeed keep on writing.  Give it a read for some encouragement.

Image Credits:  Particpant badge from the NaNoWriMo site, and a screen grab of my own data, also from the NaNo site, on my page.

Keep On Writing!

Sharpen up those quills
and get writing!

It can be hard to write when the world is pulling you in so many directions.  Many people feel their writing just isn't important in the larger scheme of things.  Especially for people who write fiction, their writing may seem so trivial to them, so much like it has no authentic connection to the outside.  And writing can be such a solitary endeavor, anyway, it can be difficult to see how it contributes to making a better world in the long run. 

"Write like it matters and it will." - Libba Bray
"If you want to change the world, pick up your pen and write." - Martin Luther
"If a nation loses its storytellers, it loses its childhood." - Peter Handke

I've been struggling with some of these thoughts myself.  After all, most of my writing will probably never get published, and will never garner a big audience if it does.  And really, what good is my beloved sci-fi novel in the face of all the ills of the world?  What good are my little horror poems, flung out into the cosmos like darts at a dragon?  Even that essay I wrote about grad school, the one that I thought was oh, so crafty and writerly, what has it changed? 

"Writing has so much to give, so much to teach, so many surprises." - Anne Lamott
 "Don't judge it.  Just write it.  Don't judge it.  It's not for you to judge it." - Philip Roth
"Better to write for yourself and have no public, than to write for the public and have no self."
- Cyril Connolly

Well, it's changed me, for one.  Like now, when the world seems so very chaotic, I write and I find a place of focus and determination.  When I was my most depressed, I started my sci-fi series that means so much to me.  It may never get published, but it is a lifeline for me even (especially) now.  And even in the context of genre, I find myself writing about what matters to me - the nature of relationships, sacrifice, love, abuse, war, understanding, and more.  Not trivial issues by any means, as it turns out.

"I write for the same reason I breathe." - Isaac Asimov
"I admire anyone who has the guts to write anything at all." -  EB White
"Do not worry. You have always written before and you will write now." - Earnest Hemingway

I want to encourage everyone to write, in whatever way works for them.  Get out those empty journals sitting on the shelf and start filling them up with quotes or whatever moves you.  Blog about your progress on your memoir, and then go write some more of that memoir.  Jot your poems down while commuting or drinking the morning's caffeinated beverage.  Scribble song lyrics in the margins of your class notes.  Fill your lunch breaks with introspective essays.  And if you are like me, huddle up with your computer in bed and pound out that fiction novel that you are just, oh, so close to finishing.  It may change more than you think.  There is no way to know - but certainly if we write nothing, then nothing will be the change we get.

Image Credit:  Sharpening Quill Pen.  Wikimedia Commons.  CC 4.0

NaNoWriMo 2016 - Getting Started

Pen, Paper, and Computer
The tools of the proverbial trade.

November!  Which for me of course means NaNoWriMo.  If you don't know about NaNoWriMo - that stands for National Novel Writing Month.  Many fanciful people like myself take November and ADD 50K of writing to their normal workload, along with feeding ourselves, and doing laundry, dealing with the day job, doing whatever other writing we said we do, etc. 

And a large subset of those writers so inclined and dedicated head over to the NaNoWriMo.org site.  At that site they can track their progress, interact on the forum, and keep in touch with other writers in their local area.  I love the word tracking tool - nothing like giving a nice data display to a scientist.  It's also the place to find out about 'write-ins' that happen nearby, which gives you a chance to meet other local writers and have some company while pounding out some words.

I think one of the reasons I enjoy NaNo so much is that I'm a terrible perfectionist.  I'm often stymied by trying to make everything I produce just so.  It was and is NaNo that gives me permission to just write those fiction words without the constant pounding of my inner editor.  In fact, I now have lots and lots of words drafted into novels that do indeed desperately need an editor ... but that's a different challenge!

Right now it's NaNo time!  That means just put pen to proverbial paper and get writing!   

I've had a slow start, as usual.  This year I'm only two days late, but this is a month packed with other commitments, not to mention, as always, Thanksgiving.  Getting words in over the T-giving holiday is always the major challenge of the month.  Still I recall I started one NaNo nine days late, and spent the entire month playing catch up.  So I'm not too far behind, and am very optimistic about my progress thus far.  Almost 1.8K of words a day will do nicely, if I can keep up the pace.  I have a tendency to write nothing for a few days, then pound out a few 3K and 5K days in a row.  But you don't want to count on the time to do that.  Better to keep that steady pace up to ensure reaching the goal.

How about you?  Do you have a book idea that is just burning to be written?  Did you take the plunge this year for NaNo?  Might be time to give it a try!

Image Credit:  Image - Writing Tools Creative Commons CC 2.0

Considering that First Draft of that NaNo Novel

I was over at Ana Mardoll's "Ramblings" blog and spotted this post, with a pie chart describing the first draft of a novel.  The pie chart is from Finding Wonderland, and it shows a humorous breakdown of what a first draft of a novel might look like.  Ana Mardoll uses the plot to illustrate the importance of rewriting that first draft.

It was inspiring.  I am definitely in the write-rewrite-iterate camp of writers.  Edits and rewrites are what make musings turn into masterpieces (more or less).  Anyway, I took out my draft of my NaNoWriMo novel and paged through, looking for what *my* first drafts seem to include.  Being a scientist with data in hand, I had to plot it up of course, with many thanks to the inspiring influences:

My version of a plot inspired by Finding Wonderland and Ana Mardoll - It shows the general contents of the first
draft of my NaNoWriMo novel.  It is surprising how my first drafts all seem to look pretty much like this.

The first half of chapter one turns out to be all completely unnecessary conversations between characters talking about their lives and stuff.  I thought it made good sense when writing, and now I see I can just jump right in to the action and really not lose anything at all.

Also fun to note is that I have far too many homages to various pop culture icons and works, such as the Hitchhiker's Guide, MST3K, Star Wars, and even the Simpsons.  I really want to keep them, which is something of an indication of their need to go.

And wow, there are a lot of holes here.  Especially the times I say "We'll have that discussion with so-and-so soon" and either the discussion never happens, or so-and-so does not actually exist in the book.  Or both.  I also see that I get through my initial draft writing by just jumping past anything that stumps me.  Say like important connecting scenes.  Or the names of anything at all.

Of course keep in mind this is a NaNo draft, which means one is trying to write like crazy to get those 50K words by the end of the month and still have time to cook and eat a Thanksgiving turkey.  So leaving gaps behind is a very functional strategy - for a draft.

And the sex scenes, well, most of them are actually plot critical.  So I guess I'll just have to make sure I send them to a publisher that likes that kind of thing.

In the end, I'd say about 50% of what is here is workable, and the other half just needs to get thrown out.  My challenge is figuring out which half is which ...

Image Credit:  My pie chart of my novel data.  Inspired by Finding Wonderland via Ana Mardoll.

Writing Another Textbook - Everyday Trials, Tribulations and Triumphs

A few science books in the collection ... and now I
can add one of my own among them!  Happy!

I wrote my textbook "Inner Planets" during a very difficult time.  It was a struggle to write a single word, let alone the 80 thousand necessary to finish the book.  Without my courageous co-author, it would not have come together.  Still, I'm very proud of the outcome.  We worked hard, and the textbook is a great undergraduate introduction to the inner planets.  The chapters on different processes are especially well done, with my favorite being the one on radiometric dating, a subject near and dear to my heart.  The introduction is actually very useful as well, with a glimpse at major ideas in science and how scientists approach their subject.  My co-author did an outstanding job with the history of the various missions to the planets.

It was gut wrenching to get that book out, but times have changed, and my health is much more stable.  I'm also in at a point where my science and education contracts are not carrying me for 100% of my time.  With all that in mind, when a friend hooked me up with a publisher last year, a publisher looking for a graduate text in planetary sciences, I jumped on the opportunity.  I convinced my previous co-author that this was an opportunity not to be missed, and we put together a winning book proposal and signed a contract.

So January has been filled with writing and research.  Tough going in places.  Fortunately I know lots of experts in various fields, and am interviewing them as often as possible.  My co-author and I want to create a really useful and gracefully written book.  As I said, it's still been tough.  Writer's block isn't just a fiction writer's problem, it's just a problem in general ...

Going through exercises like NaNoWriMo means I can put my head down and just produce text, no internal editing (or not much internal editing), giving me something to work with.  It's a very good skill to have acquired.  I have created a good outline to work from, but the reason why the book will be useful is that there really isn't anything quite like it out there.  So I'm doing a lot of trailblazing in terms of content.

And every month from now until October requires me to turn in a draft chapter.  About 7K words each (on average) plus figures and images for each one.  Trivial in terms of word count, but a challenge in terms of highly targeted, effective, and informative word count.  It's going to be a wild ride, but I am committed and focused on creating something any instructor of planetary sciences will want to use, and any graduate student of any related science will want to own and read.  It will also be useful as a resource for scientists who want to either brush up on some things, or get a head start in an area that's out of their discipline of choice.

AND of course ... I'm still trying to jam in a bit of fiction writing.  It's been about ten months, I think, since I've submitted any of my work, anywhere.  Much too long.  I've plenty to get out there, but submission takes a solid, dedicated effort, and I want to be sure I'm sending my material to the places that it really fits.  Again, that takes research.  But research is something I'm supposed to be good at :) 

Image Credit:  My pic of my books

Mixing Genres in Speculative Fiction: Another Look

Astronaut Wizard by Jordan Grimmer
jordangrimmer on Deviant Art. 

I am a huge fan of work that encompasses more than one genre.  Regardless of it is a game, a movie, a work of art, a novel, or whatever - I'm always pleased to find myself in a complex world, with many strange or scary or wonderful things afoot.  I've written before about crossing genres, first in an introductory post here, and then a follow up here.  Still, things have changed since that first post (back in 2010), and I felt it was time to once again sing the praises of mixed genre work.

The artwork at right "Astronaut Wizard" by Jordan Grimmer (jordangrimmer) is an evocative visual display of multiple genres.  The artwork does such a good job of focusing our attention on the juxtaposition - all the light is on the magic hand reflecting off of the helmet.  The rest of the suit and background are lost in shadow.  I enjoy how it jars the imagination - one does not expect magic from an astronaut.  Just the thought makes the mind race with possibilities and questions.  What would space exploration be like with magic at hand - in this case, literally?  What would our past have been like (historical fiction) or our future (science fiction)? 

As far as novels, I read Watership Down by Richard Adams when I was about nine years old and adored it.  On the surface it is a fantasy about rabbits seeking a new home, but it includes so much more - political maneuvering, adventure, mystery, and even a nod to the supernatural.  It's also a very literary book, as far as I see it.  Thinking of it as a fantasy seems limiting, even if basically correct.

Sometimes science fiction is even better with mystery, or romance, or a bit of something scary thrown into the mix.  Certainly the scariest movie I've ever seen was Alien and it was, again on the surface, straight up science fiction.  But wow.  Horror.  Really incredible suspenseful horror.  I'm getting creeped out just thinking about it.

And then how about video games … I'm thinking of the Steampunk groundbreaker "Arcanum" which included magic, robots, monsters and more.  It even felt a bit like a western in places.  My character was always suited to be an arbiter - someone who solved problems by negotiation, and tried to avoid conflict.  This led to navigating some interesting political situations.  There were mysteries to solve, as well as battles to be won.  A generally great, complex game. 

So back to writing.  Fortunately, the tide has turned as far as the acceptance of cross-genre work.  Although it might still be difficult to pitch and categorize such work (and therefore difficult to sell such work) readers seem to be quite keen to read it.  There are lots of posts and articles that will give you tips and hits on how to write and pitch something that includes multiple genres.  I've put a few here as examples you might want to peruse.

Alan Rinzler, Ask the Editor:  Is it OK to cross genres?
Penny Lockwood Ehrenkranz, Mixing It Up:  Writing Across Genres
Brian Klems, How to Write and Sell a Cross-Genre Novel

And there are a lot of commonalities between the articles. Here are a few take-aways for writers.

1. Read any genre you want to write in. Make sure you actually like what you are reading, and are motivated and enthusiastic about the genre. Be sure to understand the conventions, and what it is that gives a particular genre its appeal.

2. Focus on story. That means as you are writing, worry less about genre and more about creating a really compelling story that people will clamor to read. As usual, the reader has to care what happens to the characters. And something interesting does need to happen, somehow …

3. Stay consistent. No matter how complex the world, stay consistent within that world.

4. Eventually, you will need to know the primary genre of your piece. No matter what, there is a dominant genre in your work somewhere. It might not be by much, but it is in there. This is important information when trying to pitch or advertise your piece, or when trying to figure out how to tag or select keywords for searches. After all, readers have to start somewhere when they are looking for a new read.

5. Be confident. Don't listen to people who say you can't or shouldn't mix genres. If the story calls for it, then write the story.

Image Credit:  Astronaut Wizard by Jordan Grimmer, jordangrimmer on Deviant Art. 

November is Nuts - From Cons to Composition to Comets

Comet ISON

November is nuts.  This one moreso than any previous November because both NaNoWriMo and the Tucson Science Fiction Convention overlapped.  This was the first time I'd been to a TusCon, and even though I had to spend a lot of time working on my science presentation for that venue, I still refused to give up on my yearly encounter with NaNo.  Which means I am way, way behind 'composing' my latest novel.  (In this case, the third in the 'Voidspace' trilogy).  I am writing this at the airport, taking a break from NaNo noveling.

This recent adventure started in October, since I had to spend time getting my science talk pulled together.  And worrying about it on the side, which is a pursuit unto itself.  This meant no prep for NaNo this year.  I was also giving two different versions of the same talk - one for the science institute I call home, and the other for the Con.  And THEN I was also invited to be on a writing panel at the Con.  Wow.  Fun, but a lot of work to get it all done. 

So November started, I traveled to Tucson, gave the firs talk, and then the second.  I am very, very happy to say both went well.  I received a lot of positive feedback from both talks, and generated a lot of questions and good discussion at the Con.  I have to admit I was a little surprised, since I had intentionally taken myself out of my comfort zone and talked about a topic upon which I have done very little study - astrobiology.  I'll be posting a review of the material in another blog post.  Can't really get the whole feel of the talk down unless I post a youtube performance, and I am definitely not going there.  :)

The panel was sort of 'eh'.  I enjoyed the panels I attended but the one I was on was too 'combative.'  It's the first time I've been a member of a writing panel instead of a science panel, and I was disconcerted by how there was no structure.  The panel chair said he would poll the panel with questions, but by the time things would have gotten to me, we were on whole 'nother subject or question.  Once or twice I sort of wedged myself into the conversation so I could make a quick comment or two, but for the most part felt unneeded and superfluous.  Still, it was a very good experience for me.  There always has to be a first writing panel, and it was good to have something of a learning experience.  Hopefully next time it will be a smaller panel with a more definite structure.  They are probably all very different from one Con to the next, and even one subject to the next.

Certainly giving the science talk was my cup runneth over, so I maybe I should focus my efforts on that area when offering my services at a Con.

And of course, one cannot forget that we have Comet ISON in our skies right now, screaming it's way towards the sun.  For the moment, it appears that ISON will survive its close approach with our star.  But it is always possible for a comet, especially one like this, to disintegrate completely as it endures both the heat and the flux of particles.  It might get quite bright, might stay mostly the same, might disintegrate - it's definitely worth watching to see how things evolve.

More posts to come with details about TusCon, my astrobiology talk, and naturally, NaNoWriMo.

Image Credit:  Photographer Michael Jäger via Sky and Telescope Magazine

Vonnie Winslow Crist and When Opportunity Knocks

Vonnie Winslow Crist

I've been neglecting the blog in a most woeful fashion.  Didn't even get that last poetry post up.  But to make up for it, I've some tidbits of wisdom from speculative fiction writer and poet Vonnie Winslow Crist. 

Vonnie was the guest speaker at my local writers club meeting this last Thursday, and entertained us all for an hour with anecdotes from her career and practical insight into writing and publishing.  Her works include:  Essential Fables and River of Stars, both poetry collections from Lite Circle Books, fantasy novel The Enchanted Skean - Book 1 of the Chronicles of Lifthrasir from Mockingbird Lane Press, as well as The Greener Forest and Owl Light, collections of short stories and more from Cold Moon Press.  She has also edited much, volunteered much, and produced many columns and articles.  Her talk was titled "Be Ready When Opportunity Knocks and How to Find Those Hidden Opportunities."

Her first piece of advice is to always be writing.  She underscores the fact that you can't respond to any publishing opportunity unless you have appropriate work ready to go.  Keeping a backlog of poems, stories, and manuscripts means you have something in your pocket when you see a notice, hear a rumor, or find a great contest - and the deadline is coming up fast - like tomorrow.  Don't stop writing as you wait to see if your entry wins or if your submission is accepted.  Write something new while you wait.

Along with 'always be writing' is keep improving.  Vonnie points out that every piece of writing we do, no matter how brief, helps us improve our craft.  She emphasizes the importance of finding a critique group, and making sure it is one where all the members have the same level of writing expertise.  Read articles, magazines and books about the craft.  For fiction writers she recommends The First Five Pages by Noah Lukeman.  You might want to take workshops, courses, or even go back to school (as she did) and earn an advanced degree in writing!

Vonnie suggests we be creative about finding publication "homes" for our work.  She reads the bios of other writers to see where they've been published, and checks out directory style websites appropriate for our genre (I happen to use ralan.com and duotrope.com)  Don't neglect local outlets such as newsletters and bulletins, and keep an eye open for anthologies in your genre.  You can't underestimate the library, either.  Use your community (below) as a source of information on unique places to publish.

She emphasizes the importance of staying connected with the community.  This includes other writers, editors, and publishers.  Staying connected can mean:  attending writers' conferences, joining societies, attending conventions, volunteering to edit pieces or write articles, helping out with local meetings, etc.  Some of these opportunities will cost money and others will be free labor at first, but all can have payoffs down the line.

Vonnie points out that one opportunity can lead to another, so leverage opportunities.  For example, she won a poetry chapbook contest, and used that as the means to get a publisher interested in a full sized book of poetry.

Finally, she says, "When you see an opening, jump!  You can't fear rejection - say 'Yes' then work hard."

Actually, she said a great deal more, but you'll have to be lucky enough to catch her in person for the whole talk, and to enjoy her entertaining style.

Image Credit:  Vonnie Winslow Crist from her website.

Five Recommended Reads That Subvert Culture Tropes

Recommended by
the panel as an example
of "Culturewin"

As I mentioned in a previous post (Ten Ways to Help Avoid 'Culturefail' in Speculative Fiction), I attended a panel at Arisia about how to avoid "culturefail" when writing about cultures and peoples that are not one's own.

The panel suggested some similar features in novels that presented other cultures in interesting and authentic ways. - The books subverted common tropes and negative stereotypes.  They included confrontations with the difficult issues of power, privilege, and oppression.  They included characters in those cultures with their own plot arcs, friends, family, and context.

I asked each person on the panel to recommend a novel that, for them, was an example of "culturewin" - a story where a writer presents another culture with authenticity.  The following were books recommended (some with controversy) by panelists:

The Salt Roads by Nalo Hopkinson
Thirteen by Richard K. Morgan
My Name is Red by Orhan Pamuk
Tropic of Night by Michael Gruber

A fifth book was mentioned, but I only caught the title, "Who Fears Death?"  I believe this is by Nnedi Okorafor. 

So now I have some new books to add to my reading lineup for the year!  Have you read one of these books?  What did you think?  Did you feel the books helped to break down old tropes and subvert them in unique ways?  Were these compelling reads for you?  What books would you suggest as "culturewin"?

Small Presses to Keep an Eye On

I mentioned in my first Arisia Con post that I attended several interesting panels.  One of those was a panel focusing on the "Small Press."  The first thing I asked was for the panel to define "Small Press" since the term can be a bit gray.  From the point of view of the panel, there were a few shared traits amongst the small presses:

• Carries fewer titles than larger presses, say 12-24 titles, or even less
• Has print runs for their titles in the 100's to 1000's, not tens of thousands, or much more
• Often focuses on a niche market or specific genre
• Often run for little or no profit
• Often staffed by volunteers or those paid a minimal sum, run by people who have additional employment

With these thoughts in mind, the panel named a number of small presses that they thought were good ones to keep an eye on.  These included:

Dark Quest Books
Crossroads Press
Entangled Publishing
Bards and Sages Publishing
Pink Narcissus Press
Crazy 8 Press
Spencer Hill Press
Crossed Genres Publications
Plus One Press
Merry Blacksmith Press

In addition, the panel also called out a handful of titles from these and other small presses that they believed deserved a read.  Note, some of these are young adult titles.

Jemma 7729 by Phoebe Wray
Obsidian by Jennifer Armentrout
Rituals - Rhapsody of Blood (series) by Roz Kaveney
Touch of Death by Kelly Hashway
Red Sky Radio by Matt Howarth
Salsa Nocturna by Daniel Jose Older

Have you read any of these titles?  What did you think?  Are there other titles from small presses on your (e)bookshelf?  How about these small presses, themselves?  Which publishers are in your sites right now?

Ten Ways to Help Avoid "Culturefail" in Speculative Fiction

Be prepared to include all
kinds of people, places, and
cultures in your speculative fiction.

One of the panels I attended at Arisia 2013 was "Avoiding Culturefail."  This expert panel hoped to express to its listeners how to "win" when writing about another culture.  In other words, when writing about "the other" (which in some sense we do every single time we write), how can we avoid propagating negative tropes and stereotypes?  How can we ensure that our writing becomes part of the solution, rather than continuing the problem?

Here are some of the main ideas I gleaned from the panel.  I distilled them into ten points as a reference list when starting and then working through a new story.

1. Commitment.  Commit to yourself to doing the best that you can when addressing cultural issues in your work.  You may not succeed in a "culturewin" but only a commitment to try will give a writer that opportunity.
2. Know Thyself.  Ask, "Who am I?  Where am I coming from?  What is my perspective?  What are my biases?  How does the nature of privilege in my life influence my approach to that "other" I am writing about?"
3. Research is the beginning.  The canonical phrase "do your research" still stands.  Intellectual knowledge of your subject, including cultures represented, is a necessity.  
4. Community Contact.  Research is only the beginning.  After reading up on your topic, don't stop there.  Research is only the very first step.  Deep knowledge and understanding requires engagement with the culture in question.
5. Be Thorough.  Research and community involvement need to be carried out on multiple levels.  Engage with more than one person of the culture you are writing about.  Use all the senses when doing research, i.e. looking at photos, listening to music, touching artifacts, and eating the cuisine.  Absorb stories, myth, and other literature.
6. Subvert the Tropes.  When writing, subvert the common tropes, cliches, and negative stereotypes.  Tell an effective counter-narrative.  
7. Be Uncomfortable.  Allow yourself to go to the uncomfortable places and "tell the harder truth."  Do not ignore issues of privilege, power, and oppression in your work.  Humble yourself.
8. Conduct a Diversity Survey.  Conduct a diversity survey of your manuscript that includes the statistics of who and what is represented, and how.  Such numbers may surprise you, and may lead you to change aspects of your work.
9. Get Feedback.  Ask for constructive criticism of your manuscript from people who are a part of the culture groups in question.  Be prepared to accept feedback that is emotional, since some issues are highly charged.  Be gracious to reviewers and consider their input carefully.
10. Be Prepared to Make Changes.  Feedback and community engagement may lead you to reconsider your topic and/or how it is presented.  Be prepared to make major shifts in the work, if necessary.

I think of all the points here, I was most struck by my number seven, Be Uncomfortable.  I so often try to avoid discomfort, I think we all do.  As a writer, setting up tension and then resolving it is part of the process.  This point suggests to me that I shouldn't be over anxious to rush to a resolution, but instead I should abide in that space and allow the discomfort to remain a while.  There is clearly much to learn there.

Image Credit - Photoxpress.  Isolated pencils drawing.  Colored Pencils.

Not a New Year's Resolution, Really

I've long been a detractor of New Year's resolutions.  After all, if I haven't started something important during the year itself, I'm not likely to happen to start it on January first, either.  Yet I have to say there is something compelling in the idea of a fresh start.  Of course, any day of the year could be defined as a fresh start, or the first day of the rest of your life, etc.  But for the time being I am succumbing to New Year's new-start fervor, and deciding to post a few goals.  Not resolutions, mind you, just goals ...

The first is my story writing goal.  Last year I started on May first with the idea that I would write a story a week.  I managed 15 stories during that run, with a smattering of others coming in later in the year.  Nanowrimo naturally took a bit of a toll on the story writing as well as the poetry writing.  Realistically, I now see that too many other writing projects get sidelined if I'm writing a story a week.  So this year the goal is going to be half that - 25 stories this year, while keeping up my poetry and novel projects.

The second goal is the childhood horror poetry chapbook I've been working on.  I'd really like to get that into shape for readings by Halloween of this year.  I'm hoping to use some of April and NaPoWriMo to get a few more new poems written for the collection, and then have some time later in the summer for editing.  Meanwhile, I'm hoping to get a few more of the finished ones published.  So we'll see how that project progresses.

I have one novel that needs editing pretty desperately.  I'm only up to chapter three on the new draft, and the rest has been sadly languishing.  Time to get that manuscript shaped up.  I also have another novel that needs just about 15K more of writing to be finished.  It would be great to get that one tied up and then into the editing stage.

Then of course, there are the science fiction novels I am perennially writing.  Would love to get the first in that series drafted ...

But I also had some notions of doing a bit more freelance writing, especially in the area of astronomy, outreach, planetary science, and the like.  I had drafted a proposal for an article on science and religion, and have an outline for that piece.  Perhaps there is a market out there that this might match well.

Okay, that is really enough.  Plenty.  And yet I know when new opportunities and ideas come along, I'll still find some way to make room for them.

What are your writing goals for the year?

Image Credit:  Happy New Year! by Jon Glittenberg CC 2.0 flikr via Creative Commons

Moving on from November and NaNoWriMo

It's been ages since my last post - but given that NaNoWriMo takes up all of November, I'm only going to count myself out of the blog posting for three months :)  Real life can be like that, as we all know.

But in spite of things being even more insane than usual, I did manage my fourth straight win with NaNoWriMo.  I was behind the whole time, but not quite as behind as last year.  I was also home more towards the end of the month, and usually I'm away over Thanksgiving.  So it was easier to come up the final stretch and finish off the 50K.

As usual, I think it is a good exercise, as well as fun.  I am always tempted to write and edit at the same time, and will sometimes derail myself if I do that.  NaNoWriMo helps get you into the habit of just writing the story down and seeing where it wants to go.  There are plenty of times it heads off somewhere new and better so long as I let it have that freedom.  Editing while writing seems to limit some of that mutability.

I love the badge with the "0 Excuses" part, but it isn't quite true.  I have plenty of excuses even when I win :)  November's a rough month to write half a novel.  But it does help to remind me that there really is no easy month to write a novel, after all.  And the lightning bolt is also misleading.  NaNo is not like motivation by lightning bolt.  It's like trying to charge yourself up by holding a D battery to your tongue for a month.  Still, I definitely enjoy it.  I always like lurking on the forums, seeing what interesting ideas folks have, the trouble they get into, and then eventually how things come out.  NaNo is like it's own little story every month.  The kind where everyone involved hopes they already know the ending.

Still, I'm about 20K or 25K away from finishing this draft, so I have some more December work cut out for me before the editing can begin.  I'm thinking I might let it mellow a bit and tackle that in the new year. 

Image Credit:  Winner's badge 2012 National Novel Writing Month.

 

Five Ways to Motivate Yourself to Edit That Writing

Writers seem to fall into two categories when it comes to editing.  Either they struggle to produce a first draft, and then relax and edit; or they happily pound out a first draft, and then look forlornly at the fruit of their labor and wish it could edit itself.

I am in the latter category, and so I am very interested in how to stay motivated to do what I find to be the most difficult part of the writing process.  Here are a few tips that work for me, and I hope they will help others with my mindset.

1.  Learn how to edit.  This one seems like a no-brainer, but I actually had to realize this consciously at some point.  I thought I knew perfectly well how to edit, because my idea of editing was moving around a few paragraphs, cutting out a sentence or two, checking for consistency errors, and then fixing up the spelling and grammar.  Those are certainly things you do during editing, but that isn't the heart of the process.  I had to go back to the drawing board and really dive into the nature of editing.  Until I did, I had no idea how to address issues with major and minor plot arcs, how to rewrite entire sections, how to check the progression of character growth, and so much more.  The short version is, that in becoming a more skillful editor, editing has become less tedious.

2.  Rally your support network.  If you don't have people to help support your writing efforts, it is worth the time to build a network.  This might include a personal writing group in your local area, joining a writing association or society, connecting with people at local small bookstores, finding like minded people via social networks, using online writing forums, and more.  They can be there to help motivate you, just as you can be there for them.

3.  Make a schedule and set benchmarks.  Any job seems daunting when you look at the whole thing at once.  Break your editing project down into pieces.  Set reasonable deadlines for each of those pieces.  Set benchmarks so that when you reach certain points, you can go back and reassess how your plan is working, and tweak it up if necessary.

4.  When editing, don't do anything else but edit.  It's easy to get distracted if we allow ourselves to constantly multi-task.  We find ourselves texting, tweeting, checking email, seeing if we have any phone messages, eating at our desk, etc., all while we occasionally take a stab at editing.  Instead of taking that kind of a approach for a long time, take a single-task approach for a short time.  Take a twenty minute chunk and do nothing but edit.  Stay on task.  It will be easier to swallow if done in small increments, but as you develop focus, it will be more natural to just do editing, and ignore the email.

5.  Celebrate when you reach intermediate goals.  So many times we deny ourselves any celebration or congratulations until a project is utterly completed.  It is more motivating to set intermediate goals along with your long term goals, and then be sure to celebrate all of them.  Have others join in when you celebrate, and do something to mark the occasion, however small.

Well, that's five!  There are a lot of other ways you can motivate yourself to get those edits done.  What are your favorite ways to keep yourself chugging away?

Pax, all.

Image Credit:  Editing, Nic's Events, Flickr via Creative Commons, CC 2.0

NaNoWriMo 2011 Begins

Image:  NaNoWriMo 2011

Midnight, the start of November 1, 2011.  Which of course means NaNoWriMo is underway.  For the first time I have an outline worked out for the novel I intend to write (or start writing, anyway) for a NaNoWriMo.  Fifty thousand words is short for a novel, especially one of mine, given how I like to crank out text.  So NaNo is really an opportunity for me to get a story out and rolling.

It's also an opportunity to reach out to other writers, new and old, local and distant.  It's a great place to look for blogs and tweeple to follow.  (I can't even believe 'tweeple' is a 'word.')  Hanging out on the Forums is also a great source of time-wasting amusement.  Seeing as how the daily work of a writer can be so solitary, NaNoWriMo provides a way to include more interaction.  As well as some fun.  Good luck with the writing ...

Trilogies - Why Do We Finish Reading, or Not?

Image: Covers for The Coldfire Trilogy

As a fan, the answer to this question does not really matter to me.  After all, my reading time is limited, and if I'm not feeling compelled to continue a trilogy I won't.  I don't sit and analyze why I haven't gone out and picked up #2 or #3 yet, it simply does not happen.  There is a host of great speculative fiction out there and I read what grabs me.  I'm not the sort of person who feels compelled to read a third book because I've read the first two.

But as a writer, the answer to this question definitely matters to me.  What is it that keeps a person reading through a trilogy?  What is it that leads a person to stop, even after investing the time of reading the first one or two?

The trilogy that comes to mind as an example is one from a favorite author, C.S. Friedman.  I thought In Conquest Born was a great novel, and I list The Madness Season on my list of top ten sci-fi books.  I'll generally give anything she writes a try without looking at reviews, since I know that her style and content appeal to me. 

Now, every trilogy needs a great first book.  It won't go anywhere without a lead off that makes people want to come back for more.  The formulaic story-in-itself seems to remain powerful.  A book that can stand alone but that also leaves some curious loose ends usually makes for a solid first book.  This naturally creates a challenge for the second book, and again, the formula of 'darker and deeper' usually works.  This would be like The Empire Strikes Back, where the story has our heroes lose over and over yet it leaves the door wide open for a triumphant return.

I picked up Black Sun Rising without knowing it was to be the first part of The Coldfire Trilogy.  I liked it, even though one of the protagonists isn't very likable, himself.  It had an interesting premise, and a new twist on the intersection between fantasy and sci-fi, which is something the author does well.  It followed the pattern of a great novel that could stand alone, but that had some very intriguing loose ends.  I was motivated to get the second book.

There my interest waned.  I was surprised, since again the book followed the pattern of 'darker and deeper' with a character getting killed off and some unhappy events that make a reader desire to see a little justice.  But I never bought the third book.

Sitting back and looking at the reason why, after all this time, I realize that I was truly turned off by said bad-guy protagonist.  There is also a good-guy protagonist, and that was adequate balance in the first book, but not the second.  The bad-guy protagonist is the more interesting character of the two, which is not a surprise, but he is so loathesome in the second book that I could no longer relate to him nor care what happened to him.  Hints are given as to what conflicts will arise in book three, and perhaps even to a change of perspective for bad-guy, but I wasn't sufficiently interested to read and discover how it all turns out.

Now, given the success of the series, I'm assuming my opinion is in the minority.  This was years ago, of course.  Had I started the series recently, perhaps I would have kept on with it.  Still, it interests me as a writer that I chose to stop reading when I did.  I thought the world and premise were interesting.  The trilogy seems to follow established patterns.  It was something about the characters.  Perhaps I have a low tolerance for protagonists that are also antagonists.  One can't write a trilogy that will appeal to each and every reader, after all.

I note that this did not dissuade me from picking up other books by the author.  I will take a look at any new book she has - I recently bought the first of another series.  I'll let you know how it works out for me, in a second post that is 'darker and deeper' than this one.

Image Credit - Covers for the Coldfire Trilogy by C.S. Friedman, open source promotional image.

Bookish Inspiration

The British Library in London has an amazing display of old, even ancient, classic books and texts.  The exhibit takes up only one room, but it is impressive anyway given what is in there.  I do not usually take notes when I am browsing a museum.  I like to feel as though I can do whatever my muse dictates, and not feel self-conscious about my meanderings.  But this time I felt compelled, since I knew I would not remember all the details of the fascinating works if I didn't record a few specifics.

One of the oldest items to catch my attention was a copy of the "Gem Hup Sutras" dated from the 3rd century AD.  I was drawn off at that point by a special room dedicated to the Magna Carta.  Four copies of the Magna Carta still survive; issued first in 1215 and revised a few times until 1297.  This was the document that presented the idea that the law was a power in its own right, and even the King was subject to it.  The library also exhibits an original copy of the 1410 Canterbury Tales, of which apparently 80 copies are in existence.  The illuminated text is definitely more impressive in person, as always seems to be the case.  (I remember seeing the Mona Lisa for the first time, wondering 'why is this so famous' and then getting up close.  It is, in fact, rather spectacular.)  One presentation case was dedicated to Leonardo di Vinci, and had a notebook and loose papers with dates from 1496 to 1508, including Notes on Arithmetic, Studies of Mechanics, and Notes on Architecture.  The collection included music, like the earliest known draft of Handel's Messiah, dated 1741.  It is fascinating to me to see such drafts, where notes are inked in, then crossed out and replaced with others.  Unlike a single word in a novel, we know each and every note of the melody of these pieces today.  And then there were some of Jane Austin's original notebooks and journals dating to around 1792, from when she was 12-17 years old.  Looking at these works is so inspiring - books are powerful.  As a group they represent so much human thought, history, and culture. 

While I don't imagine to produce something as profound as these works, seeing them still motivates me to write, and to dream.  I'd love to hold a hardback book in my hand, something I wrote, with intriguing space/fantasy art on the cover, great quality paper pages, and that distinct, exciting new-book smell.  I want to sign them, give them to my friends and family, and say, "Meet these people I care about and go on this adventure with them.  I hope you love it."

Image Credit:  Canterbury Tales, Public Domain

New Projects Amidst the Snows and Melts

Photo: Crystal Grotto in Snow

While I wasn't surprised at the usual December rush and January catch-up, I was indeed surprised by the overall magnitude of catch-up. So while the snow variously piled up and melted away (iterate) outside, I was busy inside, trying to finish edits to my novel and keep up with paperwork for a poem to be published in an anthology.

Although I did not keep my blogging schedule, I can at least say I kept my overall writing schedule. But since this blog, and your blogs, remain very important to me, I have once again renewed my commitment to blogging, and have returned - hopefully refreshed and invigorated to tackle the challenges of 2011. Or to continue to tackle them, since the year certainly started off in the fast lane for writing projects.

My novel with the working title "A Warm Day in Hell" is now edited and ready to go for further critique, if necessary, and publishing, if I can hone in on the skill and luck necessary to make that happen.  I'll be taking it to "The Muse in the Marketplace" conference in Boston later this spring.  It should be a great meeting for networking, learning more about how to approach the issue of publishing, and hopefully a chance to get my novel one step closer to the printed page.

Late last year my poem "Officemate" was selected for publication in an anthology being produced by the Maryland Writer's Association.  The book is close to rolling off the presses, so soon I should be able to tell you more about it.  I can already say the Association has been quite proactive in setting up readings, events, panels and more to give area poets a chance to meet, mingle, and present their art.  I am looking forward to participating in a reading or two in the spring and summer, and perhaps attending a writing conference if my schedule permits.

In addition, of course, is this blog.  I have really enjoyed my association with other writers in the blogosphere, and want to expand that.  I've forged a few good partnerships on deviantArt and I think the art helps keep my posts fresh, interesting, and useful (definitely for me, anyway, and hopefully for you, too.)  I've wanted to make sure my own project updates were included on the blog, but were not the focus.  The focus is on writing.  Along with that I did want to continue my 'weekly' writing prompts.  My goal is an archive of about 100, to use as an educational tool, a fun activity, and to keep my own creative wheels turning.  I thought it would take two years to build, but given the pace it is looking like three or four.  They call that the 'Planning Fallacy'  :)

Those are my most concrete goals for the year, but other ideas continue to percolate.  I am working sporadically on two other novels, one a stand alone book, and another a part of the sci-fi series I've been kicking around for so long.  I've been trying to produce a body of short stories to publish, say 25 or so, as a means to hone the craft and get some name recognition, but that goes slowly.  I have eight right now, and I have not worked very hard to get them out on the street.  As always, I'd rather be writing than anything else, and that is not too practical if the goal is publication.  Otherwise, I have my eye on producing a chapbook of poetry centered on my theme from last year, 'the horror of childhood.'  I have about a dozen good drafts in the theme, and want to work through NaPoWriMo (A poem a day in April) to see if I can manage to get the number up to two dozen.  And of course I'll rifle through my ideas and outlines for novels come November, and jump in once again on NaNoWriMo.

That is enough.  It is certainly plenty.  And yet I actually hope I can do more.  I've been kicking around an idea for a workshop for other writers.  This would be something I would offer to writers of science fiction, given my own background in planetary science and astronomy.  One idea was a workshop about why water is considered necessary for life as we know it and the basics of astrobiology, so sci-fi writers can be more informed about the topic when they create their own life, alien or otherwise.  It would be an enjoyable way to meet other writers, and to give something of value to the community.  So the first question for you, is this ... if you as a speculative writer could attend at workshop given by a professional astronomer-type, what subject would most grab you?  What do you hope you'd walk away with?

I'm interested to know how others have set up their goals for the year.  Has 2011 started with a mountain of projects, or has it moved in nice and easily?  What are your major milestones, and your 'if everything goes perfect' plans?  Any meetings or conferences in the works?  Plans for your blogs?  I'd love to hear it ...

Pax
Bryce

Image Credit:  Crystal Shrine Grotto, Wikimedia Commons, CC 3.0